After surviving a car accident that took the life of her boyfriend, a teenage girl believes he's attempting to reconnect with her from the after world.

A paralyzed teen begins a relationship with an older woman when his home life goes bad.

The film poetically tells the story of the search for one's own authenticity in young adulthood.

In a remote village in Xinjiang, the Tajik people face a quiet crisis: the loss of their language. The older generation speaks in the ancient Tajik language using the Uyghur script, while the younger generation, influenced by government policies, speaks Mandarin and reads Chinese characters. This linguistic divide has created an invisible barrier between them, making communication between grandparents and children difficult. 　　Through the filmmaker’s intimate journey in the village, the film explores the emotional distance that words can’t bridge. As the villagers navigate their daily lives—through rituals, songs, and silent gestures—a deep, unspoken bond emerges, transcending the limits of language. The film is a poetic meditation on the power of human connection in the face of cultural and linguistic loss.

Driven by childlike curiosity and the desire to get to know his new German home better, 9-year-old Hamid has made it his business to observe his surroundings with his binoculars and to document the actions of other people in his neighborhood. When one day a homeless woman comes into his field of vision, he realizes that the time has come for him to leave his observation post on his balcony at home.

The story follows a slew of museum art robberies that occurred in Europe, in which Chinese antiquities were stolen, chiefly those that came from the country’s old Summer Palace which was raided in 1860 by French soldiers. No one knows who the thieves are, but the works of art continually wind up back in China. Essentially, there’s a new generation of wealthy Chinese people who are collecting artifacts from the old Summer Palace. Is China’s government behind the art theft wave? The feature questions who gets to own art, and who gets to own history and culture.

Ring of Honor presented State of the Art, headlined by an ROH TV title Proving ground match. Ian Riccaboni, Colt Cabana and Sumie Sakai welcomed everyone to the show before the proceedings got underway.

A cover-up that spanned four U.S. Presidents pushed the country's first female newspaper publisher and a hard-driving editor to join an unprecedented battle between journalist and government. Inspired by true events.

Christian Garcia, a fiercely dedicated Latino political organizer, leads a team of young people mobilizing their community for a soda tax. Tested during their fight for the right to vote, the young recruits dare to beat back the goliath soda industry and ignite a youth-powered movement for health equity and justice.